Thursday, March 26, 2015

Once Bitten On Sale for Just £1

Amazon have slashed the price of my vampire book Once Bitten to just £1 for the Kindle.  I'm not sure why or how long the promotion will last but that's the price at the moment!


In just a couple of days the promotion has made Once Bitten the top-selling Kindle book in the Zombies, Werewolves and Vampires category! (The number two is the Zombies Survival Manual, which is a fun book that I bought myself a few months ago. I love it!)

Amazon recently did another price promotion for my New York thriller, The Basement. I'm never quite sure what it is they do to promote the price cuts but it always seems to work - The Basement shot up into the UK Top 100 despite the fact that it was first published as an eBook more than four years ago!

The Once Bitten promotion came out of the blue, but I am currently in the middle of another one-month long Amazon promotion that I was expecting. They contacted me a few weeks ago to see if I wanted to take part in a cut-price Kindle promotion featuring my book Spider Shepherd SAS - Volume 1.

The book is a collection of six of my Spider Shepherd SAS short stories, set back in the days when he was still a special forces trooper.  YOU CAN BUY IT BY CLICKING HERE

In my opinion you'd be crazy to turn down any offer Amazon makes to promote your work so I jumped at the chance.  The book has been selling at £2.99 (which I think is a very fair price for 80,000 or so words).  Under the Amazon deal, they cut the price to 99p.  Now, the downside is I only get paid based on the 99p price rather than the regular price, but the upside is that Amazon will promote the book. They have now started doing that and I'm already seeing an upsurge in sales.

Where I hope it will really help me is that there is a second volume of Spider Shepherd SAS short stories. If the promotion works, hopefully a lot of people who buy the first volume at 99p will return to buy the second at £2.99. I shall keep you posted!

Anyway, go Amazon. I'm a big fan. Obviously! But not everyone is, unfortunately. In fact some writers go out of their way not to publish with Amazon, which I really don't understand.  Take Suw Charman-Anderson, for example. She touts herself as a self-publishing and social media guru but I find that most of what she says is absolute tosh.

She refuses to do business with Amazon, the biggest outlet for self-published books in the world. I sell more than 90 per cent of my self-published eBooks through Amazon. But Suw Charman-Anderson won't let them sell her work.  That's nonsense and anyone who follows her lead would find their self-publishing career stalling before it even started to take off. This is what she said recently, and it's nonsense.

In fact Suw Charman-Anderson's foray into self-publishing has been so disastrous she recently announced that she was giving up selling her books. You can read about that BY CLICKING HERE.

I'm not the only one who thinks that Suw Charman-Anderson's advice isn't up to scratch - YOU CAN READ MORE ABOUT THAT HERE.

The simple fact is that anyone who is serious about self-publishing has to work with Amazon. You'd be crazy not to!

Tuesday, March 24, 2015

Getting It Right The First Time

I'm about 50,000 words into a stand-alone terrorism thriller, set in London. I've just sent the first 40,000 words to my agent for a look-see.

If all goes to plan I'll have done another 40,000 words by the end of April and it'll be done. It's at this point a lot of writers would say - "and now the hard work begins."

Well, not me. Those 90,000 words will be pretty much as good as it gets. I might catch a few typos and grammatical slips and there are always a few errors of fact no matter how much effort I put into the research. But the story itself will be pretty much ready to go to the printers.

My 12th Spider Shepherd book - Black Ops - was four months in the writing. It's a complicated book with several major plot lines.  I gave it to my editor and the notes he gave back to me were sorted in less than two days. I probably put in a total of eight hours work. It then went to a line editor and it took me a day - a good solid eight hours - to approve those changes, mainly grammatical. Then it was ready to go.  You can buy it on pre-order BY CLICKING HERE

Don't get me wrong. It wasn't easy. It was hard work, though I enjoyed every moment. But I approached it professionally. I made every paragraph count. I planned out the plot twists. I was continually giving it to friends to read and comment. That's why that first draft was pretty much the way I wanted it. And that's how it's been for my last twenty books. I deliver a first draft that is very very close to the version that appears in print. And I'll let you into a secret - most successful writers work that way, at least the ones I know. Professional writers work hard to make sure that the first draft is as close to perfection as possible.

But more and more I'm seeing advice being given which is contrary to what I and every other professional writer knows.  Just get it down on paper (even though they mean laptop most of the time) and deal with any problems later, they say. You should spend more time rewriting than you do writing, they say. It's a long, slow process turning that first draft into a publishable book, they say. Me, I don't agree. I don't think you can turn a sow's ear into a silk purse. Or to be slightly cruder - no matter how much you polish a turd, it's still going to be a turd.

Actually, the guys on Mythbusters did show that you can polish a turd, but I stand by my argument that it doesn't work for novels!

My view is that you need to work hard on that first draft and make it as close to perfect as you can. Other writers disagree. One writer who believes in rushing the first draft is a guy called Tom Bale. Actually that's not his real name, his real name is David Harrison.  Not to be confused with DJ Harrison who is a successful self-publisher with titles such as Due Diligence, Proceeds Of Crime and Limited Liability featuring Detective Jenny Parker.  YOU CAN SEE THOSE BOOKS HERE

David Harrison's first novel was published under this own name and it didn't do well at all so he tried under the name Tom Bale instead. Unfortunately things haven't gone much better under Tom Bale and he was recently dropped by his publisher, Random House. Why? Putting it bluntly, Tom Bale's books just didn't sell, And these days publishers aren't prepared to build an author, they're not prepared to invest the time or money in  a writer who isn't making them a decent profit. Instead they cut their losses, which is what happened to Tom Bale and is also happening to an awful lot of mid-list authors.

Why didn't Tom Bale's books sell? I think it's a lot to do with the way he writes. He gave a recent interview where he explained how he goes about creating his books. YOU CAN READ THE TOM BALE INTERVIEW HERE

Tom Bale says he tries to write his first draft as quickly as possible -

That to me sounds like a rookie mistake. So does the fact that the rewriting takes longer than the original draft. Yes, blank screens can be daunting. But there's no point in filling it with rubbish. It's worth investing the time up front so that the first draft is almost as good as it gets. It doesn't have to be perfect, but the closer to perfection the better.

And it might well be less daunting to pull something apart and put it together again, but that's not how they build Rolls Royces, is it? Or skyscrapers. You make sure that the chassis or the foundations are perfect because if you build on a weak chassis or dodgy foundations, you're just storing up trouble for later.  Use dentistry as an analogy. You need to cap a tooth and the first thing you do is deal with the root canal. If you don't do that properly and you put the cap over the dodgy root canal, you are heading for toothache down the line.  You can't throw together a book on the basis that you'll fix it later. That's not how it works in industry and it's not how it works in the arts. DaVinci didn't finish the Mona Lisa and say to himself - that's a first draft I think I'll make her a blonde. And sculptors don't  hack off a chunk of marble and then try to stick it back on. Professional writers edit as they write. If they write a paragraph that doesn't work, they rewrite it or delete it.  I've often deleted half a day's work because I knew it wasn't right. If it's not right fix it then and there - don't leave it to be dealt with in a second or third draft.

In the same interview, Tom Bale says this -

Writing without any real outline is another rookie mistake. As is trusting your gut. Yes, you can trust your instincts when you are on your twentieth or thirtieth novel. But not when you are starting out. You might think your instincts won't let you down, but trust me, they will. To say that the unfolding of the plot is as exciting or you as the reader is a nice soundbite, but it's a recipe for disaster. And that's what's happened to Tom Bale - at the moment he has no publishing deal and he has had to find himself a new agent.

Writers who try to wing it are rarely successful. I've worked alongside a couple of authors who've told me that they prefer to make it up as they go along and that the book's plot will develop along the way. They talked the talk but really, they failed to walk the walk. Both would constantly write themselves into dead ends or write scenes that would meander and end up going nowhere. And they would end up writing lots of scenes of people arriving and leaving when really all they needed was the conversation that happened after they arrived and before they left.

Making it up as you go along doesn't work - unless you are totally confident in your craft.  I can do it - just about - but I've written close to forty novels.

That doesn't mean you need to know every single thing that will happen before you sit down to write. But you need to have a good idea of the plot, and the characters. I always jot down details of the characters on individual cards. Then when I am writing a scene with several characters I keep their cards close at hand to remind me who is who. I don't work with full treatments, but most writers find them helpful, and some even go as far as writing out a chapter breakdown. That's a much safer way than sitting down and winging it.  And don't listen to anyone who tells you that characters write themselves. They don't. They are your characters, you create them and they do what you tell them to. It's your book. You're the author.

It seems to me that the best guide to the quality of the advice you will get comes from the number of books the person has sold. Not the number of books they have written because there are plenty of awful authors who are churning out rubbish books in huge numbers. Look to see how many books they have sold.  So look instead for advice from writers like Stephen King, Lee Child, Val McDermid and Jefferey Deaver, who sell in their millions.

If I was offering advice to a young writer, yes I would tell them to write every day. And to read the greats. Read and learn. Write and practise. Work on your craft, because that's what it is, a craft. But once you are writing books that you plan to sell, then you have to change the way you work. It's not good enough to write on the hoof, to let the characters go where they want, to sit down at the keyboard and just write whatever comes into your head. That's not how professionals work. And what you must never, ever, do is to get to the end of a first draft and say to yourself - and others - that now the hard work begins. You should have done all the hard work before you write THE END. Anyone who tells you otherwise is giving you bad advice.

Saturday, February 21, 2015

How To Kickstart Your Writing

You hear a lot about writer's block and how it can stop a writer in his or her tracks.  Me, I've never really been blocked. I've had problems getting the energy and enthusiasm to finish a book sometimes, but more often than not that's because the story just isn't working and subconsciously I know it.  When that happens, the best thing to do, I find, is to start writing something else, even if it's just for a day or two.

What I find helpful is to have ideas on the back burner, stories that I am constantly thinking about but don't do any real work on. But when I find myself losing enthusiasm for the project in hand (which admittedly doesn't happen very often) then I have something to fall back on.

And a great way of keeping those fallback ideas in play is to get a cover and title lined up, ready to go. At any point in time I have a dozen or so titles and covers that will provide me with inspiration. Here's a few I have lined up for my Jack Nightingale supernatural detective series. Most of them cost very little, but I'm pretty sure any half-decent writer would be inspired by any or even all of them. Certainly if I got bogged down in my current project - a stand alone terrorism thriller set in London - then it's the easiest thing in the world to sit down and write a story to go with one of the following covers.

Wednesday, December 31, 2014

Predictions for 2015 From Mark Coker of Smashwords

The awesome Mark Coker of Smashwords has delivered his predictions for 2015. They are actually quite grim reading for independent self-published authors. You can read his predictions BY CLICKING HERE

All always, Mark is on the money. He truly understands the rewards and pitfalls of self-publishing. For what it's worth I thought I'd add my thoughts!

Mark Says:  1.  More authors will aspire to publish indie – In 2008 when I founded Smashwords, nearly all writers aspired to traditionally publish.  Self-publishing was viewed as the option of last resort – the option for failed writers.  Today the former stigma of self publishing is evaporating.  Indie authorship has become a global cultural movement, as I described when I published the Indie Author Manifesto earlier this year. The indie author movement will grow stronger in 2015.  Traditionally published authors will continue to transition to indie, led by midlist authors.  We’ll also see more hybrid authors reorient their publishing strategy back in the direction of indieville.

I say:  Yup, absolutely. A lot of people still believe that the road to self-publishing is paved with gold. Trust me, it isn't. We have now reached the stage where the vast majority of self-published writers make little or no money and that will get worse. It's going to take time for the wannabe writers to truly appreciate that stark fact.

Mark Says: 2.  Indie authors will capture more ebook market share – The percentage of reader dollars going to indie ebooks will increase.  The growth will be fueled by a continued increase in the number of indie-published ebooks, and by more indie authors adopting best practices to publish with greater pride and professionalism.  In March I shared some of my longer term market share projections here and here

I say:  Maybe. But I believe that the traditional publishers will continue to tighten their grip on the major eBook outlets such as Kindle, Kobo and iBooks.

Mark Says: 3.  Screen reading will increase, but at a slower rate – For readers of English language books, the early adopters of ebooks have adopted.  I think reading will continue to transition from print to digital, yet the rate of growth will slow.  One bright spot will be the continued growth in screen reading in developing countries aided by the ubiquity of smart phones.

I say:  Yup, the boom is over. And happily a lot of people do still prefer hardbacks and paperbacks. Long may that continue. I'm not sure that people will read on smartphones - most of the people I see play games or are on social media. I see very few people actually reading on their phones. I wonder if there's a way writers can make use of Apps to get their work out there. I'm working on it.

Mark Says: 4.  2015 will be slow growth for most authors, indie and traditional alike – I blogged about this topic last month in my post titled, Ebook Publishing Gets More Difficult From Here.  While some indies had a fabulous year in 2014 (look no further than the Smashwords bestseller list published in Publishers Weekly each month), most authors experienced a slower growth year - especially when compared against the go-go days of exponential growth from 2008 to 2012.  The causes for this slow down include a new equilibrium between print and ebook formats; immortal ebooks published by publishers and indie authors alike that will never go out of print; the continued growth of self-published titles; and myriad low-cost and free non-book alternatives competing for slices of consumers’ time such as social media, Internet video and games. 

I Say:  Yup, absolutely. A lot of people now have several years worth of reading on their Kindles and iPads. I think they are going to start buying fewer books as a result. And there are now so many other ways that people can spend their time - I haven't watched any television since a PlayStation 4 arrived. I read, of course, but a growing number of people don't. It used to be that every time you got on a train or plane, most people would be buried in a book or magazine. Now it's maybe 5 per cent who are reading physical books, almost everyone else is staring at their tablet or phone. Yes, you see Kindles, but not that many. And the people on the smartphones and iPads aren't reading. This more than anything is why I think the future is bleak for young writers just starting out. Long term, it's a dying business. It just is.

Mark Says: 5.  Indie authors face increased competition from traditional publishers – For the first years of the ebook revolution, large publishers all but ceded the $4.99 and lower ebook market to indie authors.  Publishers tried to maintain higher prices, and indies – empowered with the ability to earn royalty rates of 60-80% list price -  offered budget-conscious consumers high-quality books at low prices.  The low prices, including the ultralow prices of FREE and .99, made it easier for readers to take a chance on unknown writers.

In the last year, large publishers, borrowing a page from the indie author playbook, have stepped up their price-cutting in the form of temporary promotions on titles from big-name authors.  In 2015 we’ll see the temporary promotions from large publishers that were so common in 2014 give way to permanent lower prices on backlist titles from big names, and faster, more aggressive discounting on recently released titles.

This means indies will face increased competition in the sub $5.00 price points.  In the past, you could identify indie titles on the bestseller lists by price alone.  This is no longer the case.  Large publishers will also make greater use of ultra-low prices.

I Say:  This is the biggest danger facing self-published authors in the short term. The big publishing houses want to crush them and Amazon seems keen to help. It used to be that one of my self-published books would go straight into the Top 10 and stay there for a while. Those days are gone. Now I'm lucky to hit the Top 100 and I don't stay there long. Don't get me wrong, I still earn good money from my self-published books (almost £800 yesterday) but it's a lot less than I was earning during the gold rush days of 2011. The reason for this is the the established publishers are tightening their grip on the eBook bestseller lists, through promotions and price-cutting, and they will continue to do so.

6.  Large publishers step up usage of FREE – Inspired by the success of indie series writers who’ve had enormous success pricing series starters at permafree, large publishers will start making increased use of this unconventional price point.  Although few large publishers have made use of free as a promotional tool to date, this will begin to change in 2015.  As retailers such as iBooks run more "First in a Series Free" promotions which heretofore have been dominated by indie authors, publishers will feel the pressure to jump in.  As I write these predictions, iBooks is running a major multi-genre First in a Series Free promotion with nearly all the titles supplied by indie authors. Fifty nine Smashwords titles are featured!

I Say:  Yes, for sure. The big publishers are now using all the tricks that self-published authors used to use, from social media to linking titles to free and cut-price promotions. They watched, they learned, and now they are on the attack. My publisher had me in many times to chat about the eBook market and I now see them doing pretty much everything I used to do in the promotion of their big-name writers.

7.  FREE will lose more mojo – Since 2008 I’ve encouraged authors to utilize free as a price point to turbocharge downloads, build readership and reader trust, and drive readers to priced titles.  Authors who followed this advice early on reaped the most benefit.  However, free is losing some of its gusto as the market becomes flooded with free ebooks. At Smashwords, nearly 50,000 titles are priced at free.

In our 2014 Smashwords survey we found that free books at iBooks were downloaded with 39 times more frequency than books at a price, down from a multiplier of 91 in the prior 2013 survey.  In 2015 I predict the multiplier will drop further.  Despite the anticipated drop in effectiveness, free remains one of the most powerful merchandising tools for indie authors, especially when applied to series starters. This also means that authors who utilize free today will get much more mileage from it than authors who use it a year from now (hint:  If you’re using free, make sure your free titles are upgraded with enhanced backmatter so they direct readers to your priced titles. See my blog post and video on this subject).  If you haven’t experimented with free yet, now is the time.

I Say:  Yes, definitely.  There are now so many awful free books that the good ones can get swamped. The days of a self-published authors successfully promoting themselves with giveaways are almost gone. Instead we'll see the big name authors like Lee Child and Michael Connolly being given away to widen their readerships. And to be honest, that's a tough deal to turn down. The same goes for low pricing. If you can buy a Lee Child book for 99p or get a free Robert B Parker novel, why risk money on an unknown writer?

8.  Many indies will quit in 2015 – Authorship is tough work.  Discouraged by weak or slumping sales, many indie authors in 2015 will either give up on publishing or will decrease their production rates.  With the rapid rise of anything – whether we’re talking tulips, dot com stocks or real estate – bubbles form when the market becomes too frothy, too optimistic, too euphoric, and too crowded.  All markets are cyclical, so this boom-to-bust pattern, while painful for many, is healthy for the long term, especially for authors who stick it out.

Indie authors will be forced to take honest stock of their dreams, motivations and commitment.  What drives you?  Is it the joy of writing, or the necessity of putting food on the table, or both?  Either reason is respectable, but if your family’s next meal is entirely dependent upon your book sales, you’re under extra pressure.

I Say:  Yes, I absolutely agree. Unfortunately though, the writers will quit but their work will stay on line, hundreds of thousands of awful books that make it that much more difficult for quality to shine through. The ones that drop out will whine and moan about how unfair life is, but the simple fact is that they are quitting because no one will buy their books and that is because their books aren't good enough. You can read the bleating of one self-published writer who has given up BY CLICKING HERE.  As Mark Coker always says, the first key to success is to write a great book. The problem is, most people aren't capable of writing a good book. Mark is right - being an author is bloody hard work and only the tough will make it through.

9.  Time management will separate winners from losers – Raise your hand if you have too many hours in the day.  I’d hazard to speculate that each and every one of us fails on time management to some degree each day.  We only have so many minutes in a day, and only so many heartbeats in a lifetime.  Are you optimizing your author time so you’re spending more time writing and less time on the nonessentials?

For example, if it takes you multiple hours to format your ebook, why not hire a low cost formatter for $40 or less?  I’ll give you another example, and this one’s entirely self-serving but will resonate with many Smashwords authors - using a distributor.  Smashwords is a distributor.  Our job is to help you quickly deliver your book to multiple retailers, and then help you manage and control it with minimal effort.  When an author works with Smashwords, in exchange for a small commission we earn on every sale, the author gains the time-saving benefits of a single upload, centralized metadata management, and consolidated sales reporting and tax reporting.  I think this is why the vast majority of Smashwords authors choose to fully distribute with Smashwords rather than uploading direct to retailers.  The time-saving advantages of managing your publishing with a distributor become even more pronounced once you’re managing multiple titles.  No author’s career will fail because they gave 10% list to a distributor, but many authors will fail because they’re not focusing enough time on writing.

Another example. Many authors spend too much time on marketing and social media when they should be spending more time writing.  Your best marketing is a book that sparks enthusiastic word of mouth, so focus on the book.  If you enjoy social media, that's great, but try to make it your end-of-day brain break after you've completed your daily writing quota.

I Say:  Yes, you can't argue with this. Writers need to write, that's what they do best. Everything that can be sub-contracted out, should be.

10.  Amazon Will Use Kindle Unlimited to Pay Authors Less – Whether you love it or hate it, KU is already a massive disruptor in the world of ebook publishing. Many writers are claiming it caused their sales to plummet, while others say it has helped them reach new readers.  You can check out my prior analysis of KU here and here, or check out David Streitfeld's recent story on KU in the New York Times.

KU will have broader impact in 2015.  Unlike its ebook subscription competitors Oyster and Scribd which allow authors and publishers to set prices and receive retailer-level margins on qualifying reads (Smashwords authors earn 60% of their book’s list price), KU pays from a shared pool.  Author/publisher compensation is based on a book’s prorated share of readership multiplied against the size of pool.  If it sounds opaque, that's because it is. Amazon determines the size of each month’s pool and the value per qualified read after the month ends. 

This wouldn’t be a problem if Amazon was a benevolent player, committed to paying their publishers 70% list.  In November Amazon paid only $1.39 per qualified read, regardless of the book’s length or price.  $1.39 works out great if your regular retail price is $.99 (a $.99 ebook sold at Amazon otherwise earns about 34 cents).  Yet if your regular ebook price is $3.99 and you’re accustomed to earning almost 70% of that or $2.80, then KU means your effective royalty rate was cut by almost half  in recent months to 35%.

Kindle Unlimited represents Amazon’s end-run around the Agency pricing model.  With Agency, Amazon is obligated to pay publishers 70% of the list price set by publishers and cannot discount books. KDP has an “Agency-lite” equivalent model in which Amazon doesn't discount except in price matching situations.  With KU, your book’s price becomes irrelevant to Amazon.  It also gives Amazon the ability to pay you less than 70% list for each qualified read.

By providing KU preferential in-store merchandising, Amazon discourages customers from purchasing individual ebooks.  Since Amazon has a critical mass of over 700,000 books in Kindle Unlimited, Amazon’s most voracious power readers already have nearly one million fewer reasons to purchase indie ebooks at full retail price.  This means that for many budget-minded readers who love indie ebooks, your $2.99 and $3.99 ebook is now too expensive when they can read it (or similar books) for free as part of their subscription.

As I mentioned in my last post, Is Kindle Unlimited Devaluing Books, most of Kindle Unlimited’s catalog is supplied by indie authors enrolled in Amazon’s KDP Select.  Without indie author support and participation in KDP Select, there’d be no Kindle Unlimited.

Will indies step up to the plate in 2015 and say no to KDP Select?  Since most indie authors sell poorly, I fear many indies will hear KU’s siren song and decide that earning $1.39 or less is better than earning nothing, and this will then perpetuate a slippery slope that will jeopardize earnings for all authors at Amazon.

I Say: I have never seen the point of offering work to one retailer exclusivity. Best to be on as many platforms as possible. I earn good money from Smashwords and love dealing with them.

11.  New VAT rules in Europe will put a damper on European ebook sales – Indie authors will suffer a drop in earnings from European ebook sales in 2015.  The cause?  New European Union VAT (Value Added Tax) rules.  On January 1, 2015, new VAT rules go into effect in the European Union.

In the past, the VAT imposed on ebooks was based on the VAT rate for the country in which the retailer was based.  To reduce the tax hit, retailers located their European headquarters in Luxembourg, where the VAT was only 3%.  At Smashwords retailers, the price set by the author was always VAT-inclusive, which meant the author and retailer’s cut was calculated after the 3% VAT was deducted.  At 3%, the rate was negligible and went unnoticed by most customers and authors.

Effective with the new EU rules that start January 1st, VAT is charged based on the customer's geographic location.  Rates across the European Union will range from 15% to 26%.  This means that effective January 1st, myriad tax rates will be applied to your ebooks sold at Smashwords retailers such as Apple iBooks, Barnes & Noble UK, Txtr, and Kobo.

Indie authors must now decide whether to raise their prices to pass the tax burden to readers, or hold the line on prices which means the author absorbs the tax hit.  Either way, the author loses.  The ebook retailers are harmed as well since the tax comes out of the purchase price before the retailer earns their 30% cut.  As one retailer told me, “we’re all hit with the same stick here.”  To help mitigate the pain, Smashwords is developing new pricing tools for authors.  Stay tuned.

I Say:  Yeah, the bloody EU unfortunately. As of today they will be taking up to 26 per cent of the price of a book, and I think that will hit authors most. I'll be bearing the cost of the VAT so effectively my earnings will at a stroke drop by almost 20 per cent. It's more than annoying, especially when one considers how that money is spent. Unfortunately there is nothing writers can do about this.  You just have to bite the bullet.  But it's another nail in the coffin of self-publishing. A writer selling just a few books will have the government taking 20 per cent off the top followed by taxing the writer on any profits they make.  At least there are tax-free bands with income tax and small business owners can offset expenses against earnings. But that VAT hits everybody. It's the way of the world, unfortunately, the mega rich get richer and richer and the poor get taxed. Totally unfair, but then who said that life was fair. My solution - I'll write 20 per cent more in 2015 than I did in 2014.

12.  Back to basics:  The bestselling authors in 2015 win with best practices - The formula for bestseller success isn’t rocket science.  Success is all about best practices.  For every well-executed best practice implemented by the author, the author gains an incremental advantage in the marketplace.  What are some of these best practices?  1. You must write a super-awesome “wow” book that takes the reader to an emotional, satisfying extreme (this applies to fiction and non-fiction).  2.  Your books should be professionally edited and proofed  3.  A great cover image makes your book more discoverable and more desirable to your target reader.  Great cover images make an honest and visual promise to your target reader about the experience your book offers.  4. Give your book a fair price.  5.  Release your book as a preorder.  If you’re not doing preorders, you’re missing out on one of the most powerful merchandising tools today (click here to learn how preorders work).  6.  Avoid exclusivity and distribute your book widely.  7.  Write another book, rinse and repeat.

Although the best practices aren’t secrets any more (check out my Secrets to Ebook Publishing Success for a refresher on best practices – or watch my best practices video tutorial), most authors fall short on the best practices front. Some authors fall into the trap of searching for easy silver bullet shortcuts. There is no single silver bullet.  You must do many things right and avoid pitfalls that undermine your opportunity.

I Say:  Yeah, Mark has said this before and it's still true.  Though I'm not convinced about pre-orders. I think people want a book there and then, and better to give it to them rather than say they can have it next month. But Mark says it works and I believe him. So your call!

Anyway, 2015 is going to be interesting, and not in a good way. And unfortunately I think it's going to get a lot worse, for self-published writers just starting out, and for mid-list authors who in the past have got by on small advances from the major publishers. I think we are going to see a lot of writers being cut loose by the publishers who no longer want loss-making authors on their payroll. Most of those authors will turn to self-publishing, which will be ironic as they were often the most critical of the self-publishing industry. Unfortunately if your books don't sell with a major publisher they probably won't sell when self-published. I see a lot of writers not being able to pay their mortgages over the next few years...

Monday, December 1, 2014

Free Stephen Leather eBooks - Why I'm A Big Fan Of Free!

I was one of the first authors to give away free eBooks. It always seemed to me that it was the best way of bringing in new readers.

It was deodorant that first give me the idea, believe it or not!

I was walking through a train station in London and a couple of pretty girls were giving out samples of Nivea deodorant, small, dark blue cans.  Now at that point I wasn't a fan of spray deodorants. I prefer aftershave and don't like mixing the two.

But the girls were pretty and smiling and before I knew what had happened, I had a can in my hand.

I went home and next day I used it. And I immediately became a fan. It stops you sweating and it smells great. That was about five years ago and I have used their product regularly ever since. I used it this morning, and again in the gym this afternoon.

The lesson I learned was that if you give someone something for free and they like it, they will become a fan. And it seemed to me that you could do the same with books. So I started giving away free short stories as eBooks and over the last few years I have probably given away well over 100,000 copies a year. And the graphs suggest that when downloads of my free books goes up, shortly afterwards my paid-for sales also rise.

You can now see all my free eBooks on one site - HERE IT IS

Wednesday, October 15, 2014

Howard Jones, Councillor For Leatherhead North, Is At It Again

There have been a number of high profile trolling cases in the media over the last few days. TV presenter Richard Madeley had to contact the police after his wife and daughter were threatened by Twitter trolls following his wife's "controversial" comments on rape during a live TV show.

The trolls came out in force after Judy Finnigan appearing to defend a convicted rapist by saying "the rape was not violent".

And in another high profile case, a troll who was caught attacking the parents of missing girl Madeleine McCann committed suicide, unable to live with the shame of being outed as an internet troll.

I've said it before, and I'll say it again, by far the best way of dealing with trolls is to ignore them. Generally they are looking to provoke a reaction, and if the don't get a reaction they'll eventually get bored and turn their attention elsewhere.

The problem is, that doesn't always work. Sometimes they never give up. The question is, what do you do then? I have had a number of trolls over the years and as I don't engage with them, most eventually get bored and move on to other targets.

But some just won't give up. Howard Jones, Conservative Councillor for Leatherhead North, has just tweeted this:

In the Tweet he accuses me of being an Amazon fake reviewer.

That is not true. I don't review many books on Amazon but when I do they are not "fake". And I do not post reviews of my own books.

Maybe he is confused, or maybe he is deliberately lying. I don't know. But the statement he made is a lie. And a lie told in public is a libel. As a barrister he would know that.

His attacks are also highly personal. Here, for instance, he calls me a narcissist and a sociopath. Yet Howard Jones does not know me. He has never spoken to me. He knows nothing about me yet he continues to mount personal attacks against me.

I'm not sure what to do. Howard Jones has made a habit of attacking me in public and generally I have just ignored him. That's the best way of dealing with trolls.  If you get a malicious review, just ignore it. If you get trolled on a forum or a blog, just ignore it. And if a troll vents his spleen on Twitter, just block the person and they won't bother you again.

The big question, though, is how long you have to ignore a troll before they move on and pick on someone else.   Most trolls give up after a few weeks. A few will persevere for a month or two, especially on Twitter because Twitter makes it so easy for trolls. Howard Jones, though, just won't stop. I don't know why he has decided to pick on me, but he clearly won't give up.

I'm not the only one that Howard Jones picks on. Recently he retweeted an allegation about Prince Andrew. I doubt that Howard Jones knows anything about Prince Andrew's private life, but he seemed happy to spread the rumour.

He also seems to take pride in the fact that he never married the mother of his children, which seems strange behaviour for a Conservative elected official.

Here's the thing about Howard Jones. He is a barrister and barristers are governed by the Bar Code of Conduct which requires barristers to be courteous at all times. Clearly in my case he's being far from courteous so maybe I should complain to the Bar Standards Board? Or maybe I should ask the Conservative Central Office if they think he is behaving in a manner befitting an elected official representing the Conservative Party. Or get a lawyer to send him a "cease and desist" letter. Or do I just continue to ignore him? I just don't know. I just wish he would leave me alone.

Recently Howard Jones publicly tweeted another allegation about me, claiming that I was behind a sock puppet account on Twitter.

That is an absolute lie. The account is nothing to do with me. I Tweet through two accounts and both are clearly labelled with my name on the profile page, @stephenleather and @firstparagraph.  Those are the only two accounts I use.  

I don't know why Howard Jones decided to make those allegations in public, but they are lies and I deserve an apology. I doubt I will get one, because Howard Jones has demonstrated an unwillingness to engage with me directly, he prefers to Tweet insults and lies. What should I do? I'm giving the matter some serious thought.


Unbelievable as it may sound, instead of spending Boxing Day with his family, Howard Jones was on Twitter continuing to libel me.

He started off by calling me a narcissist, a sociopath and a bully. I don't think I'm any of those things. I'm certainly not a narcissist, I hate seeing my photograph and am able to see all my own faults to the nth degree. A sociopath maybe, but then a lot of successful people have sociopathic tendencies. The tricks to keep them under control.  A bully?  I can honestly put my hand on my heart and say that I don't think I am a bully. I don't recall ever attacking anyone unless I was attacked first. I will always defend my corner but I can't think of any occasion when I have gone on the attack without me being wronged first.

Name-calling is the norm on Twitter but Howard Jones crossed the line again with his next Tweets.

In them he accuses me of using sock puppet accounts to post bad reviews of rival authors. I have never done that. And why would I? Posting a bad review of a rival author (and that's in itself nonsense, authors are not rivals) doesn't help sell my books. And almost certainly wouldn't hurt that author's sales. It could be that Howard Jones is confusing me with another author outed by the Jeremy Duns he refers to. But he is quite wrong to make that accusation about me.

But his most damaging allegation is that I have fabricated bogus solicitors letters. I have never, ever, done that. I have no idea why Howard Jones has made that accusation. I do wonder why a barrister, albeit non-practising, is prepared to tell so many lies about me in public. It's all very worrying.

Tuesday, October 14, 2014

Pricing - the $3.99 Sweet Spot

Some fascinating information from Mark Coker at Smashwords here -   CLICK FOR SMASHWORDS SURVEY

I'm a huge fan of Smashwords and have been since they started.  Smashwords probably accounts for 15 per cent of my self-published eBook sales at the moment, and that percentage is growing.

In the survey Mark talks about pricing, which is one of the main marketing tools open to a self-published writer.  Mark sees $3.99 as the sweet spot, i.e. where earnings are maximised.

It certainly seems to me that the rush to buy cheap books - 99 cents to $2.99 - is over. Buyers now realise that most low-priced books simply aren't good.

I'm still trying to work out the sweet spot for my books. I recently raised the price of several of my books from $4.99 to $5.99 and sales pretty much halved overnight. I put them back to $4.99 and sales recovered almost immediately.  I'm now wondering if I drop the price further - to $3.99 - will earnings rise?  Watch this space!